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魯迅美術學院 本科

職業藝術家

第五屆新唐人油畫大賽 優秀獎

NA

• University of Arizona, Tucson, Arizona — Bachelor of Fine Arts Commercial Art and Art History
• Plein Air Workshop — Ralph Ordberg
• Edina Art Center — Portraiture with Michael Frey
• The Atelier Studio Program of Fine Art — Continuing studies with various teachers

• Art restoration — Minneapolis, Minnesota Clyde Smith Fine Art and Framing
• Art restoration — House of David, Benton Harbor, Michigan
• T.S. Dennison and Company, Inc. — Illustrations for seven children’s books
• Commercial art, freelance — St. Joseph, and Benton Harbor, Michigan
• Rock paintings of animals and Native Americans — Established Got Rocks Limited
• Commissioned Paintings

2007 Honorable Mention — Little Fox
2009 First Place, Wilcox Gallery ­— Soft Breeze
2009 Second Place Award of Merit, Hopkins Center for the Arts — Little Porcupine
2010 Honorable Mention, Minnesota Artists Association — See My Frog
2010 Second Place Merit Award, Minnesota Artists Association — Moccasin Time
2010 People’s Choice, Hopkins Center for the Arts — Minnetonka Summer
2010 Minnesota State Fair — Native Memoirs
2011 Honorable Mention, Savage Juried Art Show — Native Memoirs
2012 People’s Choice, Hopkins Center for the Arts — See my Frog
2012 Second Place, Savage Juried Art Show — Bird in Hand
2013 Second Place Award of Merit, Burnsville Art Fête — Native Memoirs
2022 Second Place Merit Award, Minnesota Arts Association — Puddle Fun

Ethiopian Smile: The young girl, Rahel, is an extremely poor Ethiopian girl in a war-torn famine ridden country. Her Father deserted her and her mother, who had no income. This painting of her was made into a card so others could see the need and contribute to this desolate Ethiopian area. The mission provides for clean well water, clothing, school equipment and teachers.

Old Man of the Sea: On a visit to Juneau, Alaska I noticed this compelling old man sitting near some trash cans. Residents told me he was a Tlingit Native they called "Old Man of the Sea". He often roamed their streets. The Tlingits are indigenous natives of the Pacific NW coast of North America who largely depend on fishing and hunting. They are also family-oriented basket weavers, totem pole carvers and colorful dancers. I was touched by his simple life in a beautiful, rugged countryside.

Bird in Hand: Every year the Minnesota Shakopee Mdewakanton Sioux Community promotes a Wacipi. A Wacipi is a traditional Native American cultural celebration of dance, song, costumes and socializing. In the Oakota language "Wacipi" means "they dance". These tow Native women attended and were glad to meet again coming from different states. It took them out of the celebration to a more peaceful landscape. This painting is to promote appreciation of our Native American Heritage.

Professional Photographer Training (CAP)

Self-taught painter since childhood. Photographer in the army, photographer and videaste studio e reportages. Various personal exhibitions paintings in Brazil, France, collective exhibitions, participation in competitions, at the meam of Barcelona and others.

Prize at the 2019 competition at NTD (technical prize)

My son, when he wakes up, on days when his cell phone does not capture him, meditates on his future as an adult, and prays.

大專

退休人士

2022吳沙基金會藝文比賽油畫組佳作
2022馬來西亞秋季動物組比賽入圍

現代的青壯族群面對生活挑戰漸感乏力，以至無意婚嫁生育下一代，因而借此畫作喚醒年輕人面對傳宗接代的神聖使命感。

一、國立高雄大學政治法律系碩士班畢業獲法學碩士（民國95年9月-97年6月）。
二、國立嘉義大學教育學系博士班畢業獲教育學博士（民國100年9月-107年6月）。
三、高雄市立空中大學文化藝術系畢業獲藝術學士（民國107年7月-110年6月）。
四、目前在國立屏東大學視覺藝術系碩士班就讀中（民國110年9月入學迄今）。

一、曾經營公職考試補習班11年，擔任班主任及指導老師（民國83年12月-94年12月）。
二、曾任公務人員24年，109年3月退休。
三、退休後成立「賴世昌博士文藝研究坊」擔任負責人（109-迄今）。

1.參加2020第8屆台灣美術獎水彩類入選。
2.參加2020基隆美展西方媒材類油畫入選。
3.參加2020桃源美展油畫類入選。
4.參加2021南投玉山美術獎油畫類入選。
5.參加2021第26屆台中市大墩美展油畫類入選。
6.參加2021第8屆MAKAPAH美術獎-非原住民族組-繪畫類優選。
7.參加2021第20屆全國百號油畫大展優選。
8.參加2022第85屆臺陽美展油畫類入選。
9.參加2022第23屆磺溪美展油畫入選。
10.參加2022第46屆全國油畫展入選。
11.參加2022農友基金會指定蔬果繪畫徵選競賽特優。
12.參加2022金車繪畫獎（油畫）優選。

光與影彩繪形塑了世間萬物，投射在土水師工作上一樣耀眼奪目，呈現日常生活中的陽剛之美。而夫妻同心，夫唱婦隨，為他們的家庭打拼，為打造更好的社會環境付出心力，展現職業無貴賤的生活美學。

1982 國立成功大學外文系畢業.
2020 國立台灣師範大學美術研究所畢業.

1. 2018 年參加 桃源美展 油畫類
2. 2019年參加 新唐人美展 - 第五屆全世界人物寫實油畫大賽
3. 2019 年參加 南投美展「玉山美術獎 」油畫類
4. 2021年參加 南投美展 「玉山美術獎」油畫類

1.. 2018 年 桃源美展 油畫類 佳作
2. 2019 年 新唐人美展 - 第五屆全世界人物寫實油畫大賽 入圍
3. 2019 年 南投美展「玉山美術獎 」油畫類 優選
4. 2021 年 南投美展 「玉山美術獎」油畫類 佳作

近年突發的新冠疫情，整個地球無不受其影響，這是人類歷史慘痛且需深刻反思的一頁。作者想以此作品紀錄這歷史的一刻；並以隱藏在背景中的Covid-19，意喻此疫情永遠封存，不復出現，也期許未來如背景的光明，漸漸恢復以往的平安時日。

1960 生於台灣，高雄市
1977 路過畫廊櫥窗前，看見兩幅油畫之美，心動難抑買了油畫顏料、 畫筆，參考廚窗作品，開始自悟習畫，大自然為師過了大約40 年油畫人生°
2011 國立台灣台北師範大學推廣教育學院結業
2012 台南應用科技大學 肄業

2010 專業油畫創作，以售畫為生
2010 至今全台個展10 次，聯展百次
2014,2017 ART 台北新藝術博覽會展
2014 買得起藝術博覽會展
2015,2022 台南市藝術家協會~ 理事
2015 國際獅子會300- D1區和平海報比賽- 評審

2009 台北國際藝術評選賽- 新銳藝術家特別獎（ 銀牌獎）
2012 金赫獎國際盃大賽- 入選獎
2013 全國美術展- 入選獎
2013 台灣國際藝術協會美展- 優選獎
2019 台陽美展- 入選獎

創作初期，世界各國火紅研發，作品完成時，AI已應用在高科技産業及民生需求上，讓全球走向另一個新世代°
經營全球企業的先驅者，以高智商的人腦加上電腦的組合「 人工智慧」，創造人類生活的科技化，享受便捷、 經濟快速成長的-富裕人生°

我是一位從事30餘年的美容師.因愛好繪畫自2015年開始拜師學藝.個人偏好人物畫及思古懷舊風情.
將人物神態表現在畫布上.藉由畫作.喚起心中美好的回憶!

*2017苗北藝文中心雙個展
*2019苗北藝文中心個展首展

*2016苗栗美展油畫類優選
*2017新竹美展油畫類入選
*2018苗栗美展油畫類入選
*2019南投玉山美術獎油畫類入選

台灣木雕隨著產業發展轉移與沒落，如今木雕工藝已不見當初的繁華景象，藉由畫作將台灣漸已式微的傳統手工技藝與巧匠們特有的神態與表情，定格在畫布上，留下美好的回憶！
畫中是台灣新竹國寶級工藝師，每一件作品精緻細膩的雕工與微妙微肖真是令人佩服！太獅與少獅，因獅與師同音，以"太師與少師"為高位的象徵，而借音借意以獅為師是官運亨通之意，一大一小的獅子表示望子成龍之意，祝願代代高官。

没有上过正规的美术学校，2000年上海美院自费学习国画，2006年在上海层次画廊办过画展，2008年在上海新天地办画展，来日本办过几次

没有与绘画有关的工作

没参加过任何赛，举办过多次画展

之前从来没有画过观音菩萨像，找不到感觉无法下笔，一次听到一位先生跟和他讲真相的法轮功学员说，“你是救苦救难的观音菩萨吧？我觉得你就是”，我脑海里就出现了观音菩萨的形象，一下子就找到感觉，我是用敦煌壁画等为参照，镶嵌宝石，水晶，金属等装饰品，在油画基础上采用粘贴镶嵌工艺和线条的表现，使之带有中华民族东方古老艺术的韵味，我平时都是用其他颜料来画的，为了这次展出，特意尝试用油画来表现，可能有很多不成熟的表现，不过我想重在参与，我就是想来支持这个新唐人画展，每年举办画展都很不容易，谢谢您们的辛苦付出和给我们爱好绘画的人的机会，合十！

I am an autodidact. I have an technical degree and I was a car mechanic.
When I was 22 I discovered that painting was my real passion. I did in the evening hours an education on the Art Academy in Amsterdam.
When I was 24 I took private courses in the 17th painting techniques/materials. Because the Art Academy didn't teach this. So I went to musea to do research to old masters and to old grounding/techniques.

- I have sold a lot of portraits of landscapes and still life paintings
- Since 2019 I am an ambassador of Royal Talens: https://www.royaltalens.com/en/about-us/brands-friends/nard-kwast/
- Reconstruction of the Nightwatch in the Rijksmuseum in Amsterdam. I was one of the four painters which knowledge of this old materials and techniques: https://www.avrotros.nl/hetgeheimvandemeester/uitzendingen/detail/het-geheim-van-de-meester-de-nachtwacht-de-onthulling-van-de-reconstructie/
After being second finalist of this program Project Rembrandt I regulary get questions for assignments for paintings from the old masters (inclusive old materials like selfmade varnish and lead white for example).

-2001: Public prize City Museum of Woerden with a portrait of Pauline. Unfortunately I have no documents of this.
-2019: Project Rembrandt: finalist of this televisioncontest :
https://www.npostart.nl/project-rembrandt/07-04-2019/VPWON_1295130

Oil on canvas
90 x 70 cm
Completed in January 2022
Hand crafted frame with gold leaf by Gregors frames in March
2022. They also make the picture frames for the original frames for
museums around the world.

The title of this painting is translated from Italian as “The Mask”.

I was inspired by a number of things that happened.
1.My great fascination for masters such as Rembrandt van
Rijn, Gerard van Honthorst, Caravaggio and many more.
2. I saw an announcement of an exhibition about candlelight in Gouda (a
Dutch city, known for its Gouda cheese and also for
candles)
3. And finally a personal story. The personal story goes
about meeting some people who are not quite authentic. Much of their behavior was based on their beautiful facade. This is
the reason I painted the person with the mask in the dark. The darkness symbolizes also a way of emptyness behind this mask.

Oil on canvas
90 x 70 cm
Completed in January 2022
Hand crafted frame with gold leaf by Gregors frames in March
2022. They also make the picture frames for the original frames for
museums around the world.

The title of this painting is translated from Italian as “The Mask”.

I was inspired by a number of things that happened.
1.My great fascination for masters such as Rembrandt van
Rijn, Gerard van Honthorst, Caravaggio and many more.
2. I saw an announcement of an exhibition about candlelight in Gouda (a
Dutch city, known for its Gouda cheese and also for
candles)
3. And finally a personal story. The personal story goes
about meeting some people who are not quite authentic. Much of their behavior was based on their beautiful facade. This is
the reason I painted the person with the mask in the dark. The darkness symbolizes also a way of emptyness behind this mask.

2017年，本人師從張華潔博士。多年來，浸潤在繪畫領域學習，研究和創作。
我的導師張華潔先生是一位當代藝術家，藝術學博士，他在獨立電影、觀念攝影、新媒體、繪畫等多領域進行深入跨界創作。
多年來，華潔老師一直幫助我，鼓勵我，使我受益匪淺。

身為藝術素人，在華潔老師的引領下，我選擇自己喜歡的藝術大師進行研究，學習。華潔老師因材施教，讓我學會站在巨匠的肩膀上去認識和理解藝術，學會尊重每一個人獨有的個性。

從開始學習繪畫至今，繪畫是溶於我的生活中的。隨身攜帶速寫本和畫筆，隨時隨地畫速寫已經成為了習慣和自然。有很長一個階段，我研究費申和荷爾拜因的人物頭像，從圖書館和網絡上查閲這些大師的資料和作品，每天讀畫，邊臨摹邊創作。
借住新媒體的便利條件，華潔老師經常直播參觀歐洲畫展，從拍攝一幅畫，還原一幅畫的色彩，到分析一幅名畫的構圖，用色，塗布，到分享好的畫書……那是我離開大學后最密集式學習的幾年，收穫頗多。也是在這個階段，我養成了每天畫畫的習慣。

受華潔老師的啓發，我不斷遊走於各個領域，學習圍棋，學習剪輯，學習繪畫。善於學習，勇於嘗試，融會貫通。這期間也常常會遭遇諸多的不確定和考驗，反而不足為論。

我喜歡富於變化的生活，喜歡不斷創新，挑戰，也有表達思想的迫切願望。人生本無意義，因為有了這許多挑戰，才變得豐富多彩。

我希望通過繪畫真誠表達生活，表達自我。立足當下的情緒狀態創作之時，會有驚喜，會有沮喪，會有靈感，最後歸為真誠的篤定。艱難在此，魅力也在於此。

創作完成，坦然的生命躍然紙上，也期待定會有某些東西，撞見觀者的內心，撩動觀者的共鳴。

2017年，理論學習，臨摹研究與創作實踐。
2018年，參加西安五一街頭畫像實踐活動。
2019年，參加煙臺美術館群展。
2020-至今，理論學習，臨摹研究與創作實踐。

無。

把圍棋記憶塗抹在畫布上，向這門古老的文化致敬。
圍棋課堂一角：

自题
瑞雪金烏排羿枰，
半攻半守半紛爭。
滿盤肅殺無人見，
唯有錚錚落子聲。

BFA University of Delaware
MFA Pennsylvania Academy of Fine Arts

Exhibited in numerous galleries and exhibitions. Work in two museum collections. Numerous Bibliographies.
2022 Summer Exhibition, FAN Gallery, Philadelphia
2021 Fellowship of the Pennsylvania Academy of Fine Arts Exhibition, Gross McCleaf Gallery, Philadelphia
2019 NTD International Figure Painting Competition, Salmagundi Club, NY
2018 American Experience, Rockwell Museum, Corning, NY
2017 Artists for the New Century, Bennington, VT
2017 Imago Dei, Union University, Jackson, TN
2017 Sight Unseen, Abend Gallery, Denver, CO
2017 Head On, Duke Gallery, Wallingford, PA
2016 New Year Show, F.A.N. Gallery, Philadelphia, PA
2016 Emanuel Nine, A Portrait Tribute, Principle Gallery, Charleston, SC
2015 Women Painting Women, Haynes Gallery, Thomaston, ME
2015 New Faces, F.A.N. Gallery, Philadelphia, PA
2014 Hampton’s Annual Juried Art Show, RJD Gallery, Sag Harbor, NY
2014 Annual Juried Figurative Exhibition, Lore Degenstein Gallery, Susquehanna University, PA

2021 The Fellowship Award of Excellence of the Pennsylvania Academy of Fine Arts, Philadelphia
2019 Bronze Award, NTD International Figure Painting Competition, NY, NY
2018 Distinguished Achievement Award, American Women Artists, Rockwell Museum Exhibition
2018 1st place Figurative and Purchase award, Art Renewal Center 13th International Salon
2018 Finalist, The Artist’s Magazine 34th Annual Competition
2017 Select 50, 2017 International Portrait Society Competition
2016 Finalist Members Only Portrait Society Competition
2016 Finalist, Art Renewal Center International Salon
2016 Best Overall Painting, June/July Plein Air Magazine Competition
2016 Finalist, The Artist’s Magazine International Competition
2015 Finalist, Art Renewal Center International Salon
2014 Elizabeth Greenshields Foundation Grant
2014 Jurors’ Choice Award, RJD Gallery
2013 Finalist, Art Renewal Center International Salon
2011 Elizabeth Greenshields Foundation Grant
2010 Honorable Mention, Inspiring Figures, Butler Institute of American Art, Youngstown, OH

This painting is based on the book of Revelation which is a book of both judgment and rejoicing and hope for those persecuted. It is a time when truth and goodness will finally prevail. The figure is an angelic being and the painting contains much symbolism in the landscape.