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中國文化大學藝術學院美術學系碩士
中國文化大學藝術學院美術學系學士

現任：
中華民國後立體派畫會祕書長
臺灣美術協會理事
中華漆畫學會理事
中華紗帽山畫會理事
中國文化大學美術系系友會常務監事
臺北市南港社區大學講師
雲觀藝術/雲觀畫室負責人
曾任：
台北海洋科技大學視覺傳達設計系兼任講師
黎明技術學院化妝品應用系兼任講師
台北海洋技術學院視覺傳達設計系兼任講師

2023-第一屆日本Nadeshiko水彩三年展入選
2022-第二十二屆臺灣國際藝術協會美展入選
2021-印度-台灣國際當代藝術及書法虛擬展入選
2020-第三屆國家藝術聯盟菁英獎
2020-第八屆臺灣美術獎入選
2019-第九屆台北新藝術博覽會國際藝術家大獎賽入選
2015-第十四屆全國百號油畫大展入選
2009-第九屆中華民國國際藝術協會美展入選

森林如同一座天然的遊樂園，走進大自然，欣賞森林裡撒落的溫暖陽光，猶如舞台上閃爍的燈光秀，聆聽川流不息的瀑布聲就像偉大的交響樂團，演奏著氣勢磅礡的命運交響曲，踏著層層的階梯有如在琴鍵上彈奏出美妙的樂聲，廢棄的舊山線如木琴般敲響節奏，飛舞的麻雀嘰嘰喳喳像在唱著輕快的歌曲，快樂的孩子盪著鞦韆，吸收森林裡的芬多精，享受森林樂園裡愉悅的美好時光。

一、國立高雄大學政治法律系碩士班畢業獲法學碩士（民國95年9月-97年6月）。
二、國立嘉義大學教育學系博士班畢業獲教育學博士（民國100年9月-107年6月）。
三、高雄市立空中大學文化藝術系畢業獲藝術學士（民國107年7月-110年6月）。
四、目前在國立屏東大學視覺藝術系碩士班就讀中（民國110年9月入學迄今）。

一、曾經營公職考試補習班11年，擔任班主任及指導老師（民國83年12月-94年12月）。
二、曾任公務人員24年，109年3月退休。
三、退休後成立「賴世昌博士文藝研究坊」擔任負責人（109-迄今）。

1.參加2020第8屆台灣美術獎水彩類入選。
2.參加2020基隆美展西方媒材類油畫入選。
3.參加2020桃源美展油畫類入選。
4.參加2021南投玉山美術獎油畫類入選。
5.參加2021第26屆台中市大墩美展油畫類入選。
6.參加2021第8屆MAKAPAH美術獎-非原住民族組-繪畫類優選。
7.參加2021第20屆全國百號油畫大展優選。
8.參加2022第85屆臺陽美展油畫類入選。
9.參加2022第23屆磺溪美展油畫入選。
10.參加2022第46屆全國油畫展入選。
11.參加2022農友基金會指定蔬果繪畫徵選競賽特優。
12.參加2022金車繪畫獎（油畫）優選。

光與影彩繪形塑了世間萬物，投射在土水師工作上一樣耀眼奪目，呈現日常生活中的陽剛之美。而夫妻同心，夫唱婦隨，為他們的家庭打拼，為打造更好的社會環境付出心力，展現職業無貴賤的生活美學。

一、國立高雄大學政治法律系碩士班畢業獲法學碩士（民國95年9月-97年6月）。
二、國立嘉義大學教育學系博士班畢業獲教育學博士（民國100年9月-107年6月）。
三、高雄市立空中大學文化藝術系畢業獲藝術學士（民國107年7月-110年6月）。
四、目前在國立屏東大學視覺藝術系碩士班就讀中（民國110年9月入學迄今）。

一、曾經營公職考試補習班11年，擔任班主任及指導老師（民國83年12月-94年12月）。
二、曾任公務人員24年，109年3月退休。
三、退休後成立「賴世昌博士文藝研究坊」擔任負責人（109-迄今）。

1.參加2020第8屆台灣美術獎水彩類入選。
2.參加2020基隆美展西方媒材類油畫入選。
3.參加2020桃源美展油畫類入選。
4.參加2021南投玉山美術獎油畫類入選。
5.參加2021第26屆台中市大墩美展油畫類入選。
6.參加2021第8屆MAKAPAH美術獎-非原住民族組-繪畫類優選。
7.參加2021第20屆全國百號油畫大展優選。
8.參加2022第85屆臺陽美展油畫類入選。
9.參加2022第23屆磺溪美展油畫入選。
10.參加2022第46屆全國油畫展入選。
11.參加2022農友基金會指定蔬果繪畫徵選競賽特優。
12.參加2022金車繪畫獎（油畫）優選。

本圖背景取材自台灣/屏東遺構公園一隅，作為類似囚徒困境的圖像隱喻，以勝利星村在拆除或修建的難為中變出遺構公園景點為例，聯想身處新冠肺炎疫情肆虐下，吾人在清零或與病毒共存的兩難政策中，找到適合自己的新生活模式，進而探索在訴求民主的政黨惡鬥與影響政經安穩的中美爭強風暴中台灣如何自保之道？作者認為均須先行走出困境才能開創新局。

1960 生於台灣，高雄市
1977 路過畫廊櫥窗前，看見兩幅油畫之美，心動難抑買了油畫顏料、 畫筆，參考廚窗作品，開始自悟習畫，大自然為師過了大約40 年油畫人生°
2011 國立台灣台北師範大學推廣教育學院結業
2012 台南應用科技大學 肄業

2010 專業油畫創作，以售畫為生
2010 至今全台個展10 次，聯展百次
2014,2017 ART 台北新藝術博覽會展
2014 買得起藝術博覽會展
2015,2022 台南市藝術家協會~ 理事
2015 國際獅子會300- D1區和平海報比賽- 評審

2009 台北國際藝術評選賽- 新銳藝術家特別獎（ 銀牌獎）
2012 金赫獎國際盃大賽- 入選獎
2013 全國美術展- 入選獎
2013 台灣國際藝術協會美展- 優選獎
2019 台陽美展- 入選獎

創作初期，世界各國火紅研發，作品完成時，AI已應用在高科技産業及民生需求上，讓全球走向另一個新世代°
經營全球企業的先驅者，以高智商的人腦加上電腦的組合「 人工智慧」，創造人類生活的科技化，享受便捷、 經濟快速成長的-富裕人生°

國立高雄師範大學 美術學系創作組碩士

2020年展出春季當代藝術沙龍展，台北。
2020年高雄師範大學116藝術中心－「書寫DNA」，高雄。
2020年高雄師範大學藝創基地－「sonart2020」，高雄。
2020年高雄大力百貨公B館六樓－「青映19藝文空間」，高雄。
2020年台南兜空間－「秋の遇意兒童義賣展」，台南。
2020年「叢生-海峽兩岸藝術院校作品聯展」，中國杭州。
2021年高雄師範大學藝創基地－「Sonart-Isolation」，高雄。
2021年高雄師範大學藝創基地個展－「灰色性格」，高雄。
2021年台中大墩文化中心－「2021藝術新聲-COVID ⊙19 GAZE」，台中。
2021年中國信託銀行美術館分行，KIPA高雄市國際粉彩協會－「粉彩之美」，高雄。
2021年高雄文化中心至高館－「隱性的六種聲音」六人創作聯展，高雄。
2021年台南文化中心－「2021台南美展」-西方媒材類入選，台南。
2021年高雄文化中心至美軒，KIPA高雄市國際粉彩協會－「粉彩之美」，高雄。
2021，參加中國文化大學「高齡藝術課程活動設計－預防失智症班」研習，高雄。
2022年，鉑司咖啡 pallse cafe《實際的生存-李喬煒個展》，高雄。
2022年南紡購物中心，《一歇人SOMEART師生聯展》，台南。
2022年，《蒼騎展第48回 秋季蒼騎展》，日本東京都美術館。
2023年南紡購物中心，《好一歇-李喬煒個展》，台南。
2023年高雄文化中心至高館－「虛實之間-靈光未央」五人創作聯展，高雄。

2019年獲得第67屆台灣南美會「柏川獎」，台南。
2021，《International Art Competition “Colors” 國際藝術比賽“色彩”》，優異獎。
2022，《International Art Competition “Black & White” 國際藝術比賽“黑白”》，優異獎。
2022，《臺南美展》，「西方媒材類」另三類第一名。
2022，香港「上‧文化周年繪畫大賽2022」，銀獎。
2022，「璞玉發光-全國藝術行銷活動」，入圍。
2022年《臺南美展》，「西方媒材類」另三類第一名。

我是李喬煒，(2022年六月前姓名是李宜庭後改為李喬煒)高雄人，一九九六年出生，畢業於台南應用科技大學美術系，畢業於高雄師範大學美術系研究所，主要創作題材來自生活中的人、事、物，以形象的方式來探討對象物，寫生的手法描繪進行創作，過程中寫生繪畫為最具有挑戰性的部分，觀察物件的固有色和環境色的層次、形體、形象的結構變化及聚散表現，都是影響畫面節奏感的要素。而安排畫面佈局、色塊串聯，為主要探討的方向。
從小就對繪畫充滿熱情，但因家庭環境不允許，因此學習路程跌跌撞撞，憑藉著我對於繪畫的熱愛與執著，是一直支撐我創作的動力，那是很單純的一份堅持，我喜歡鉛筆滑動紙張的聲音，輕輕的、快速的，在創造每張空白生命時將所感受的天與大地繪出來、那是滿足快樂的，也是熱愛自由的感受。
我正在做的事，在2021年三月成立了一歇藝術工作室，工作室裡的我將藝術延伸至生活，透過教學培養學員美學，除了專業繪畫外也利用生活中的觀察作為引導的媒介聆聽學員，培養興趣，令創作不再遙不可及，一些人共同聚在一歇，得到的是獨一無二的創作與看見不同樣貌的自己。

《你還好嗎?PATTY》畫面呈現不同時期狀態中的好友，紀錄她情緒有時低落有時狂躁，充滿恐懼的神情與僵硬不協調的肢體語言。畫面中抽去了豐富的色彩變化，使用冷色調與灰色調呈現在畫面上的人物情緒是低靡、生無可戀的狀態。透過【灰色性格】系列論述筆者想傳達情緒與理心之間產生不同的詮釋方式，藉由藝術強而有力的影響著我們，讓我們了解到，臉部、手與身體的辨識，能夠控制情緒、模仿、同理心，透過這些方式能辨識、知覺與表現出筆者想利用作品來傳達的感覺，在其作品中則蘊含情緒重要的意義。

University

Solo Exhibitions
2012 ArtMurMur, Oakland, CA
2006 California Art Club solo exhibition
2005 American College of Traditional Chinese Medicine, San Francisco, CA 2003 Loanna Clark Gallery, Petaluma, CA
1999 Academy of Art College, San Francisco, CA
Group Exhibitions
2022 American Impressionist Society’s 23rd Annual National Juried Exhibition 2022 The 2022 NOAPS ASSOCIATE ONLINE EXHIBITITION
2022 NOAPS 2022 Best of America National Juried Exhibition
2022 Butler Institute of American Art Museum, Youngstown, Ohio
2021 Mills Pond Gallery
2019 Art Alliance Idyllwild annual exhibition
2018 Richard 75
2018 The religious Academy nation tour exhibition
2018 California Art Club 107th annual gold metal exhibition.
2018 Brooklyn Faces exhibition
2017 NOAPS small painting national juried exhibition
2016 Art alliance of Idyllwild, Idyllwild, CA
2014 Marin Open Studio, Marin county, CA
2013 Marin Open Studio, Marin county, CA
2013 RH gallery, New York, NY
2012 Aurora Art Gallery, San Rafael, CA
2011 Renditions Art Gallery, Walnut Creek, CA
2007 96th Annual Gold Metal Juried exhibition, Pasadena, CA
2006 Morro Bay Art Association
2006 Portrait Society of America, annual competition exhibition
2006 The National Oil & Acrylic paintings Society Annual competition
2006 AAU alumni show at San Francisco City Hall, Mayor1s office
2006 Connecticut Society of Portrait Artists, Faces of Winter Exhibition
2005 Hudson Valley Art Association 74th Annual Exhibition, Newington-Cropsey
Foundation, Hastings-on-Hudson, NY
2004 California Art Club, Rising Young Stars Exhibition at the Old Mill, San Marina, CA
2003 The Southern California American Society of Portrait Artist and the city of Laguna Hills, First Annual Portrait Competition Exhibition
2003 Portrait Art Society, Second Annual Portrait Competition Exhibition
2003 California Art Club Plein Air Landscape Painting Exhibition
2003 Sonoma Plein Air Landscape Painting Exhibition
2002 Laney College, Oakland, CA
2002 North Valley Art League, 1126 Parkview Ave, Redding, CA
2002 The Hilton Head Art League1s 2002 National Juried Art Exhibition, Hilton
Head Island, SC
2002 New York Portrait Society, 47 Fifth Avenue, New York, New York 2002 The Nude 2002, Lexington Art League, Lexington, KY
2002 National Art Exhibit, Charlotte County Art Guild, Inc, Visual Arts
Center, Punta Gorda, FL
2001 73rd Grand National Exhibition, American Artists Professional League, 47
Fifth Avenue, New York, New York
2001 The 39th Regional Juried Art Show, Fairfield Visual Arts Association,
1035 W. Texas, Fairfield, CA
2001 Academy of Art University, San Francisco
2000 Arts for the Parks, National Park Academy of the Arts, Jackson Hole, WY Fall/2000 3Untitled2, Academy of Art University, San Francisco, CA
Fall 2000 De Young Museum, San Francisco, CA
Fall/2000 Academy of Art University, San Francisco, CA
Spring/2000 Academy of Art University, San Francisco, CA
1995-2000 Asia Society of Arts of America, San Francisco, CA

Awards
2022 Allied Artists of America, silver medal
2019 Art Alliance Idyllwild Best of show
2019 Art Renewal Center annual competition finalist
2018 NOAPS, Holiday small work show, Best of Show
2017 Art Renewal Center Associate Living Master
2017 NOAPS small painting national juried exhibition grand prize 2016 Art Renewal Center annual competition finalist
2015 Art Renewal Center annual competition finalist
2015 Grand Prize, International Artist Magazine
2015 Second Prize, Southwest Artist Magazine
2015 Second Prize, Oil Painter of America
2015 Best Prize, Oil and Acrylic Painters' Society
2014 World water color competition finalist
2014 Oil Painters of America Honorable Mention Award
2014 Artist’s Magazine competition finalist
2014 Art Renewal Center annual competition finalist
2013 Awards of Excellence, The National Oil and Acrylic Painters' Society 2006 Morro Bay Art Association, Best of Show award
2006 Artist Magazine, honorable award
2003 The Southern California American Society of Portrait Artist and the city
of Laguna Hills, Second Prize Winner
2003 PAS SF Portrait Competition Grand Prize Winner
2002 North Valley Art League National show, Best of Show Gold Medal winner 2002 “The Flowers and Gardens” Finalists of International Artist Magazine

An army formed from a deep valley full of dry bones; a spiritual awakening from dead/sleeping.

1) Phd at the Faculty of Education Science University of Mohammed V, Rabat, Morocco.(2021-Present)
2) Master Degree (Aesthetic education and management of the arts and culture professions) College of Education Sciences / University of Muhammad-V / Rabat, Morocco. (2018-2020)
3)Bachelor's degree (Art Education) College of Fine Arts / University of Hodeidah, Yemen.
2010.

-Professor at Hadramout University for 5 years, Hadramout, Yemen.
-Talent Coach at the Talented Academy - Hadramout, Yemen.
-12 years experience in interior design.
-Caricature for 4 years.
projects:
-The Forgotten Hadramout Inscriptions and Decorations Program through the Academy of the Gifted - Basiyoun.
-Scientific article (comparison of the aesthetics of clay in southern Morocco and Hadramout).
-The originality of the Arabic letter.

1) Obtained an honorary doctorate from Aladdin International Academy 2022, Morocco.
2) A special exhibition (Cultural Crown 4) under the patronage of His Majesty King Mohammed VI, may God grant him victory, patronage and support, at the National Library, Morocco. 2022.
3) A special exhibition for the festival (Our Heritage is Our Wealth) at Dar Al-Shabab Al-Nour - Rabat - in the Kingdom of Morocco. 2022.
4) A special exhibition (Moroccan culture through the eyes of a Yemeni artist) at Dar Al-Shabab Al-Nakour, Al-Hoceima Province, in the honorable Kingdom of Morocco.2022.
5) Obtaining the third place in the ISESCO competition,2021.
6) A special exhibition (Yemen through a plastic vision), ISESCO.2018

This painting belongs to the realistic school. The idea came when I read your announcement about the competition in reviving painting in a realistic and sober style, proportions and aesthetic dimensions that are subject to in-depth study and go back to the works of ancient times from the era of the Romans to the era of the Pharaohs to the Renaissance. And we tried to show our ancient civilization, which has no less historical value than it, and it is considered one of the mother civilizations, the Kingdom of Sheba, and it is one of the oldest kingdoms in history, and I tried to show its strength through its features and the enormity of its crown, which is studded with jewels and diamonds, as well as the hoopoe. I gave it a huge body, strength and insight, as for the background details of the queen All of them are somewhat by choice
1- The winged lion to denote the strength of the army and the people.
2- Grape leaves to denote fruits and goodness.
3- Long-horned heads of cows stacked together to indicate strength and livestock.
4- The ibex at the head of the painting denotes sanctity and worship.

I am an autodidact. I have an technical degree and I was a car mechanic.
When I was 22 I discovered that painting was my real passion. I did in the evening hours an education on the Art Academy in Amsterdam.
When I was 24 I took private courses in the 17th painting techniques/materials. Because the Art Academy didn't teach this. So I went to musea to do research to old masters and to old grounding/techniques.

- I have sold a lot of portraits of landscapes and still life paintings
- Since 2019 I am an ambassador of Royal Talens: https://www.royaltalens.com/en/about-us/brands-friends/nard-kwast/
- Reconstruction of the Nightwatch in the Rijksmuseum in Amsterdam. I was one of the four painters which knowledge of this old materials and techniques: https://www.avrotros.nl/hetgeheimvandemeester/uitzendingen/detail/het-geheim-van-de-meester-de-nachtwacht-de-onthulling-van-de-reconstructie/
After being second finalist of this program Project Rembrandt I regulary get questions for assignments for paintings from the old masters (inclusive old materials like selfmade varnish and lead white for example).

-2001: Public prize City Museum of Woerden with a portrait of Pauline. Unfortunately I have no documents of this.
-2019: Project Rembrandt: finalist of this televisioncontest :
https://www.npostart.nl/project-rembrandt/07-04-2019/VPWON_1295130

Oil on canvas
90 x 70 cm
Completed in January 2022
Hand crafted frame with gold leaf by Gregors frames in March
2022. They also make the picture frames for the original frames for
museums around the world.

The title of this painting is translated from Italian as “The Mask”.

I was inspired by a number of things that happened.
1.My great fascination for masters such as Rembrandt van
Rijn, Gerard van Honthorst, Caravaggio and many more.
2. I saw an announcement of an exhibition about candlelight in Gouda (a
Dutch city, known for its Gouda cheese and also for
candles)
3. And finally a personal story. The personal story goes
about meeting some people who are not quite authentic. Much of their behavior was based on their beautiful facade. This is
the reason I painted the person with the mask in the dark. The darkness symbolizes also a way of emptyness behind this mask.

Oil on canvas
90 x 70 cm
Completed in January 2022
Hand crafted frame with gold leaf by Gregors frames in March
2022. They also make the picture frames for the original frames for
museums around the world.

The title of this painting is translated from Italian as “The Mask”.

I was inspired by a number of things that happened.
1.My great fascination for masters such as Rembrandt van
Rijn, Gerard van Honthorst, Caravaggio and many more.
2. I saw an announcement of an exhibition about candlelight in Gouda (a
Dutch city, known for its Gouda cheese and also for
candles)
3. And finally a personal story. The personal story goes
about meeting some people who are not quite authentic. Much of their behavior was based on their beautiful facade. This is
the reason I painted the person with the mask in the dark. The darkness symbolizes also a way of emptyness behind this mask.

2000 Learnt children art
2008 Learnt senior art
2010 Graduated from Yuk Choy High School （UEC） Senior Art Class
2013 Graduated from First City University College （B.A (HONS)Graphic Design）

2013 Graphic Designer (Internship) CUT OUT MAGAZINE
2014 Graphic Designer (Full Time) AT HOME SDN BHD
2015 Art Teacher PAY FONG HIGH SCHOOL
2016 Art Teacher YUK CHOY HIGH SCHOOL
2016 Art President Ms.T Artroom

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《清朝袖炉海报》
这幅画采用20至40年代的海报设计呈现袖炉产品。袖炉是旧宫廷普通使用的掌中取暖工具，小巧玲珑，集古今工艺美术精华，是艺术殿堂的珍宝。从清朝结束至进入中华民国时期，当时候的贵妇依然是有使用袖炉作为取暖工具或摆设，极其珍贵。今日称为“手炉”，这幅画采用两个时代的混合，呈现古典产品与半现代海报风格，也体现旧时代的变迁，作为设计概念。

This painting represents a sleeve furnace product in a poster design from the 20’s to 40’s. The sleeve furnace is a hand heating tool commonly used in the palace. It is small and exquisite and it also combine the essence of ancient and modern arts and crafts. It is a treasure in the palace. From the end of Qing dynasty to the beginning of the period of the Republic of China, noble ladies still used it as heating tools or decorations as it was very precious. In modern times, it known as “Hand Furnace”. This painting adopts the mixture of two eras, presenting classical products with a semi-modern poster style and also reflects the changes of old era, as a design concept.

《葵浴》
画中的姑娘神情与场景充满晦暝的。傳統花浴是由頭到腳都要被洗淨，洗掉霉氣的習俗。使用太阳葵代表了生命的希望。
以天然花朵的生氣靈氣充充正能量，帶來好運！

The expression of the girl is sullen and the background is full of gloominess.. The traditional flower bath is a custom to wash away the sinful and sinister that stick to the body. The uses of sunflower are to represents the hope of life. As the vitality of sunflowers charge with positive energy and brings good luck!

《默默等待孩兒回家》
巴迪布是马来西亚的一种蜡染布料。每年马来人新年，老人家都会亲手做一匹巴迪布给孩子以示祝福。
画面呈现年迈母亲在一个简陋的环境里蜡染巴迪布，一点一滴的蜡染盼孩子回家，或许布料完成的那一天就是孩子回家的那一天。一道的曙光照射着母亲的背影，体现出含辛、伟大，希望孩子们能够体会妈妈的用心。

Batik is a kind of cloth in Malaysia. When it is almost the time for Hari Raya Aidilfitri, the elderly will make batik for their children to express ther blessings. The painting talks about an elderly mother is canting the batik cloth in a hovel, bit by bit looking forward her children returned. When the batik cloth is finished canting may be the day children returned. A ray of dawn shines on the back of the mother, reflecting the bitterness and greatness of a mother. Hopes all the children in the world can appreciate their mothers intentions.

《藏童祈福》
双手合十，用力祈福，祈福避灾
这是在藏族孩子从小有虔诚拜佛的习惯，不管是贫穷富有，从小就要培养为人为天祈福的德心。

Put your hands together and pray for blessings to avoid the unfortunate.
This is the habit of the Tibetan children whether they are rich or poor who worship Buddha devoulty since childhood.

《童笑》
一身朴素简陋的女孩正在你面前微笑
你是否感到同情、快乐还是温馨？
整幅画的内容关于贫中带点甜，现代很多社会，我们都为一点点事情而苦恼大半天。如果有一天一位脏兮兮的孩子在你面前微笑，我们会觉得其实这件事情也没有那么糟糕，我们要知足常乐。

Please imagine that a simple, humble and shabby girl is smilling in front of you.
Do you fell sympathetic, happy or warm or even empathetic?
The story of the whole painting is about poverty and sweetness. In modern society, we,employee are always troubled by little thingsfor a long time. If one day, a shabby girl is smiling to you, we will think that the little things are no matters as we should be content with it as we can learn from it.

Professional Photographer Training (CAP)

Self-taught painter since childhood. Photographer in the army, photographer and videaste studio e reportages. Various personal exhibitions paintings in Brazil, France, collective exhibitions, participation in competitions, at the meam of Barcelona and others.

Prize at the 2019 competition at NTD (technical prize)

My son, when he wakes up, on days when his cell phone does not capture him, meditates on his future as an adult, and prays.

High school diploma
Second year at the art institute of Miami- BFA Interior Design

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This painting was inspired by cubism; the plan at the beginning was to create one big face by using small shapes; when I started to paint the canvas, I decided to make more and more faces that you can see in a second, third, and even fourth looks! My favorite part was the creation of the different colors by using only primary colors.
I love to hide things in my art, so I will let you enjoy the painting as much as I do!

大專

退休人士

2022吳沙基金會藝文比賽油畫組佳作
2022馬來西亞秋季動物組比賽入圍

現代的青壯族群面對生活挑戰漸感乏力，以至無意婚嫁生育下一代，因而借此畫作喚醒年輕人面對傳宗接代的神聖使命感。